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Shiva Lingam / Linga
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Linga worship
(Estate of Cynthia and Harlen Welsh)
Lingam or Linga (Sanskrit:
Gender as in purusha-linga : Phallus) is used as a symbol for
the worship of the Hindu God
Shiva (Siva).
The use of this symbol as an object of worship is a timeless tradition in
India; mainstream scholars connect the origin of the lingam
/ linga
to the early Indus Valley civilization. Interestingly, the Lingam finds no
mention in the Vedas; this is held by most scholars to be a
significant indication of the different origins of the Aryans with whom the
Vedas are associated, and the people of the Indus Valley Civilization, to
whom Shiva and the Lingam were important objects of worship. Notwithstanding
its absence from the Vedas, the Shiva Lingam is of pervasive importance in many
other major Hindu scriptures, including the Puranas.
There are various interpretations on the origin and
symbolism of the Shiva lingam. While the
Tantras
and Puranas deem the Siva lingam a phallic symbol representing the
regenerative aspect of the material universe, the Agamas and Shastras do not
elaborate on this interpretation, and the Vedas fail altogether to mention
the Shiva Lingam.
Hinduism conceptualizes
Brahman ,
the supreme power, as having three main roles: that of God the Creator, God
the Preserver and God the Destroyer. This trinity is represented iconically
by the deities Brahma,
Vishnu and
Shiva respectively. Thus, it is Shiva, the destructive form of the
Almighty, who is represented by the Lingam or Phallus, which is manifestly
the CREATIVE or generative power of Man. This points to an origin of the
tradition of using the Lingam as a divine symbol that is utterly sublime in
its philosophical underpinnings.
The form of the Shiva Linga serves to further
emphasize this inference. The base of the Lingam is the Yoni also
known as 'Parashakti'. The upright portion of the Lingam is shown as being
protuberant through the yoni, and the two form a unified
structure. Thus, the Lingam represents the very instant of creation,
or rather of regeneration, when the perishable and eventually
destructible Old renews and regenerates itself in another form, the New that
is to come.
The Tantras consider the lingam to be a
phallic symbol and to be the representation of Shivas phallus, in its erect
form. Accordingly, the lingam contains the soul-seed containing within it
the essence of the entire cosmos. The lingam arises out of the base (Yoni)
which represents Parvati according to some or Vishnu,
Brahma in female and neuter form according to some.
The puranas, especially the Vamana purana,
Shiva purana, Linga purana, Skanda Purana, Matsya Purana, and
Visva-Sara-Prakasha, have narratives of the origin and symbolism of the
Shiva lingam. Many puranas attribute the origin to the curse of sages
leading to the separation of and installation of the phallus of Lord Shiva
on earth; many also refer to the endlessness of the lingam, linked to the
egos of Lord Vishnu and Lord Brahma.
Some knowledgeable interpreters of Hindu
scripture believe the lingam to be merely an abstract symbol, and point out
that Lingams in many of the more important temples are not
of the shape described above. Furthermore, many are the instances in Hindu
lore where a sundry rock or pile of sand has been used by heroic personages
as a Lingam or symbol of Shiva. For example, Arjuna
fashioned a linga of clay when worshipping Siva. Thus, it is argued, too
much should not be made of the usual shape of the Linga. This view is also
consonant with philosophies that hold that God may be conceptualized and
worshipped in any convenient form; the form itself is irrelevent, the
divine power that it represents is all that matters.
Sri K. Thirugna Sambantha, in his
excellent web site of Saivism, explains that the Siva
lingam is the ruparupa aspect because it is neither a manifested form of
Siva, nor is it formless, because the linga is a tangible piece of stone,
and a symbol of God. Thus, it is intermediate between the formless Absolute,
Parasiva, which is beyond the sensory perception of man, and the many
manifest forms of Siva.
Satguru Sivaya Subramuniyaswami explains
in the lexicon section of his book, Dancing with Siva, that "Sivalinga
is the most prevalent icon of Siva, found in virtually all Siva temples. It
is a rounded, elliptical, aniconic image, usually set on a circular base, or
peetham. The Sivalinga is the simplest and most ancient symbol of Siva,
especially of Parasiva, God beyond all forms and qualities. The Peetham
represents Parashakti, the manifesting power of God. Lingas are usually of
stone (either carved or naturally existing, svayambhu, such as shaped by a
swift-flowing river), but may also be of metal, precious gems, crystal,
wood, earth or transitory materials such as ice. According to the Karana
Agama (6), a transitory Sivalinga may be made of 12 different materials:
sand, rice, cooked food, river clay, cow dung, butter, rudraksha seeds,
ashes, sandalwood, darbha grass, a flower garland, or molasses."
Swami Sivananda holds further that although
the Agamas do not derive their authority from the Vedas, the two are not
mutually antagonistic. Some scholars hold the view that anything that
contradicts the Vedas or is inconsistent with its spirit is not
authoritative. According to this perspective, the Puranic and Tantric
conceptualizations are secondary to the Vedas and the Agamas which are vedic
in spirit. In this point of view, the conceptualization of the lingam as a
phallic symbol does not carry much weight, since the Vedas & Agamas say
nothing in the matter.
There is a portion of the Bible in which
the Hebrew patriarch Jacob appears to be performing something very similar
to a Lingam ceremony, in which a precious substance such as milk or oil is
poured on the stone artifice as a sacrificial intent. "And Jacob rose up
early in the morning, and took the stone that he had put for his pillows,
and set it up for a pillar, and poured oil upon the top of it.",(Ge 28:18).
also: "And Jacob set up a pillar in the place where he talked with him, even
a pillar of stone: and he poured a drink offering thereon, and he poured oil
thereon.",(Ge 35:14). It is sometimes pointed out that the term for oil or
drink used in this verse is the Hebrew Shemen, which appears like
English word semen and thus seems to be appropriate to the phallic
nature of the Lingam.
A lingam at Amarnath in the western Himalayas
formed every winter by dripping water freezing. It is very popular with
pilgrims.
A stone lingam is a naturally occurring oval stone.
Something that resembled a Shiva linga was
called the Sankara Stone in the movie, Indiana Jones and the Temple of Doom. |
Shiva Gifts:
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Shiva, Siva
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Lord Shiva. The water
flowing from his locks is a depiction of the River Ganga
considered to be a goddess in Hinduism. In Hindu
mythology, when Ganga descended from the heavens, the Earth
could not bear her flow so Lord Shiva agreed to bear it. Lord
Shiva's skin turned bluish as he drank the Halahala poison that
came out of the churning of the oceans.
Shiva / Siva (Sanskrit: शिव, and written
Śiva in IAST transliteration) is a form of God in
Hinduism .
Adi Sankara interprets the name Siva to mean "One who
purifies everyone by the utterance of His name" or the Pure One,
that is, one who is not affected by the three gunas (characteristics) of
Prakrti (matter): Sattva, Rajas, and Tamas. Additionally, Siva can also
mean, "the Auspicious One." He is often depicted as the husband of
Uma.
Shiva is the third form of God
as the Destroyer, one of the trimurti
(popularly called the "Hindu trinity"). In the trimurti,
Shiva is the destroyer, while Brahma and
Vishnu are creator and preserver, respectively. However,
even though he represents destruction, he is viewed as a positive force
(The Destroyer of Evil), since creation follows destruction. Worshippers
of Shiva are called Shaivaites. For Shaivaites,
however, Shiva is the only Ultimate Reality.

Shiva is not limited to the personal
characteristics as he is given in many images and can transcend all
attributes. Hence, Shiva is often worshipped in an abstract manner, as
God without form, in the form of
lingam
(or linga). This view is similar in some ways
to the view of God in Semitic religions such as Islam or Judaism, which
hold that God has no personal characteristics. Hindus,
on the other hand, believe that God can transcend all personal
characteristics yet can also have personal characteristics for the grace
of the embodied human devotee. Personal characteristics are a way for
the devotee to focus on God.
Hindus believe that if we can hear the
voice of God in the way Judaeo-Christian religions believe that God
communicates, then it is not neccessarily wrong to view a form of God so
long as it is recognized that God is not limited to a particular form.
Shiva is aadi (without beginning/birth) and ananta
(without end/death).
According to the Bhagavata Purana,
Lord Shiva appeared from the forehead of Lord Brahma. When Lord
Brahma asked his sons (the four kaumaras} to go forth and create progeny
in the universe, they refused. This angered Lord Brahma and in his anger
a crying child appeared from his forehead. As the child was crying he
was called Rudra, and became Lord Shiva. Lord Shiva was
asked to go forth and create progeny, but when Lord Brahma observed
his power, as they shared the qualities of Lord Shiva, he asked him to
observe austerities instead of creating progeny. A slightly different
version is told in the Shiva Purana: in the Shiva Purana, Shiva promises
Brahma that an aspect of his, Rudra, will be born and this aspect is
identical to Him.
Some of his chief attributes are
signified by his hundreds of names, such as:-
Mahabaleshwar (Great God of Strength)
Tryambakam (Three-Eyed One, i.e. All-Knowing)
Mahakala (Great Time, i.e. Conqueror of Time)
Nilakantha (The one with a Blue Throat), etc.
Shiva is the supreme God of Shaivism,
one of the two main branches of Hinduism today (the other being
Vaishnavism). His abode is called Kailasa. His holy mount
(called vahana in Sanskrit) is Nandi, the Bull.
His attendant is named Bhadra. Shiva is usually represented by the
Shiva linga (or lingam). He is generally represented in Hindu
tradition as immersed in deep
meditation ,
on Mount Kailash (reputed to be the same as the Mount Kailash in the
south of Tibet, near Manasarovar Lake) in the Himalaya,
which is supposed to be his abode.
Shiva's consort is
Devi, God's energy or God as the Divine Mother
who comes in many different forms, one of whom is
Kali , the
goddess of death. Parvati, a more pacific form of Devi
is also popular. Shiva also married Sati, daughter of Daksha, who
forbade the marriage. Sati disobeyed her father and Daksha held a Yajna
(ritual sacrifice) to Vishnu, but did not invite Shiva.
In disgust, Sati sacrificed herself in the same fire Daksha used in his
sacrifice. Shiva arrived at the scene, angry at the death of his wife,
and killed many of the guests, as well as decapitating Daksha, though he
later replaced his head with that of a goat. Shiva created the monster
Virabhadra during his quarrel with Daksha, and he was the leader of
Shiva's men who came to prevent Daksha from conducting the Yajna.
According to legend (Shivpurana, Ramcharitmanas and other Hindu
scriptures), this same Sati was reborn in the house of Himalaya (who is
almost certainly the mountain-range personified) and performed a great
tapa (sequence of austerities, culminating in sustained
meditation on the object desired, which in this case, was the Lord
Shiva). This tapa caused Shiva to break his
Samadhi (State of deep, usually ecstatic meditation) and
accept Parvati as his consort.
Siva gave Parashurama his axe. Shiva's
great bow is called Pināka and thus he is also called Pinaki.
Most depictions of Siva show the three-pointed spear Trishula in the
background.
Shiva and Parvati are the parents of
Karttikeya (also known as Murugan in South India) and
Ganesh (Ganesha) (also
known as Vinayagar in South India), the elephant-headed God of wisdom.
He acquired his head due to the actions of Shiva, who decapitated him
because Ganesh refused to allow him to enter the house while Parvati was
bathing. Shiva had to give him the new head to placate his wife. In
another version, Parvati showed the child off to Shani (The planet
Saturn), whose gaze burned his head to ashes, which Brahma told Shiva to
replace with the first head he could find, an elephant. Karttikeya is a
six-headed god (thus called shadaanan, the one with six heads,
Sanskrit: shad, six + aanan, head) and was conceived to
kill the demon Tarakasura, who had proven invincible against other minor
gods.
According to the foundation myth of
Kalism, Kali came into existence when Shiva looked into
himself; she is his mirror image.
In another version, Kali had gone out
to kill demons but she went on a rampage. To stop her, Shiva went and
lay down on the ground in front of her path. When Kali stepped on him,
she looked down and realized that she had just stepped on Shiva. Feeling
ashamed, Kali stuck out her tongue, and the rampage ended.
As Nataraja, Shiva is the
Lord of the Dance, and also symbolizes the dance of the
Universe/Nature, with all its delicately balanced heavenly bodies and
natural laws which complement and balance each other. At times, he is
also symbolized as doing his great dance of destruction, called
Taandav (Pronounced with a soft 't' and a hard 'd'), at the time of
pralaya, or dissolution of the universe.
Some Hindus (non-Saivaites), especially
Smartas, believe Shiva to be one of many different forms of the
universal Atman, or
Brahman ,
a monistic entity to which all things (essentially), and Shiva, as form
of God are identical. Others see him as the one true God from whom all
the other deities and principles are emanations, essentially a
monotheistic understanding usually related to the
bhakti sects of Shaivism.
Although he is defined as a destroyer
(or rather recreator), Siva, along with Vishnu, is considered the most
benevolent God. One of his names is Aashutosh, he who is easy to
please, or, he who gives a lot in return for a little.
Traditionally, unlike Vishnu, Shiva
does not have any
avatars. However, several persons have been claimed as
avatars of him, such as Shankara. Some people consider
Hanuman to be an avatar of Shiva.
This 14th century statue depicts
Shiva (on the left) and his wife Uma (on the right}. It is housed
in the Smithsonian Institution in Washington, D.C.
Nayanars (or Nayanmars), saints from
Southern India, were mostly responsible for development of Shaivism in
the Middle Ages.
The important Shaivite sects were
Kashmir Shavaites from Northern India, Lingayats and Virasaivas from
Southern India. Saiva Siddhanta is a major Shaivite theory developed in
Southern India.
Shiva is an aspect of God or Saguna
Brahman,(i.e. God with form) who Hindus pray to. In trimurti belief, he
is the aspect of God (i.e., God as the Destroyer) of the trimurti (also
called the Hindu Trinity), along with Brahma and Vishnu.
Aspects of God such as Shiva or Vishnu
are personal attributes of the impersonal Nirguna Brahman, God without
attributes, the type of God similar in Semitic religions such as Islam
or Judaism (i.e., God without form or without personal characteristics.)
The term "Hindu god" should not be equated with Shiva and is confused
with Devas. Devas or demigods, are celestial beings similar to
angels as discussed in Judaeo-Christian traditions. Devas in
Sanskrit literally means "shining beings".
Origin
Siva does not occur
in the Vedic hymns as the name of a god, but as an adjective in the
sense of "kind", or "auspicious". One of his synonyms, however, is the
name of a Vedic deity, the attributes and nature of which show a
good deal of similarity to the post-Vedic god. This is Rudra, the god of
the roaring storm, usually portrayed in accordance with the element he
represents, as a fierce, destructive deity, terrible as a wild beast,
whose fearful arrows cause death and disease to men and cattle. He is
also called bapardin (wearing his hair spirally braided like a shell), a
word which in later times became one of the synonyms of Siva. The
Atharva Veda mentions several other names of the same god, some of which
appear even placed together, as in one passage Bhava, Sarva, Rudra and
Pasupati. Possibly some of them were the names under which one and the
same deity was already worshipped in different parts of northern India.
This was certainly the case in later times, since it is expressly stated
in one of the later works of the Brahmapa period, that Sarva was used by
the Eastern people and Bhava by a Western tribe. It is also worthy of
note that in the same work, composed at a time when the Vedic triad of
Agni, Indra-Vayu and Surya was still recognized,
attempts are made to identify Siva of many names with Agni; and that in
one passage in the Mahabharata it is stated that the
Brahmins said that Agni was Siva.
It is in his character as destroyer
that Siva holds his place in the triad, and that he must, no doubt, be
identified with the Vedic Rudra. Another very important function
appears, however, to have been early assigned to him, on which much more
stress is laid in his modern worship, that of destroyer being
more especially exhibited in his consort, viz, the character of a
generative power, symbolized in the emblem representing Him, (linga) and
in the sacred bull (Nandi), the favorite attendant of Him. The
non-Aryans have worshipped the linga as a phallic symbol. This feature,
however, is entirely alien from the nature of the Vedic god, it has been
conjectured with some plausibility, that the linga-worship was
originally prevalent among the non-Aryan population, and was thence
introduced into the worship of Siva. On the other hand, there can, we
think, be little doubt that Siva, in his generative faculty, is the
representative of another Vedic god whose nature and attributes go far
to account for this particular feature of the modern deity, viz. Pushan.
Siva, originally, no doubt, a solar
deity, is frequently invoked, as the lord of nourishment, to bestow
food, wealth and other blessings. He is once, jointly with Soma, called
the progenitor of heaven and earth, and is connected with the marriage
ceremony, where he is asked to lead the bride to the bridegroom and make
her prosperous (civatama). Moreover. Lie has the epithet bapardin
(spirally braided), as have Rudra and the later Siva, and is called Par
upa, or guardian of cattle, whence the latter derives his name Parupati.
Parupa is a strong, powerful, and even
fierce and destructive aspect god, who, with his goad or golden spear,
smites the foes of his worshipper, and thus in this respect offers at
least some points of similarity to Rudra, which may have favored the
fusion of the two gods into a monotheistic conception of God, into
Shiva.
Adapted with permission from
Wikipedia.
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